Vol. 24 No. 3

Stories that
matter.

Reporter and essayist writing about work, technology and the people who live with both.

Black-and-white portrait of Elliot Vance, a man with glasses standing in a dark library
Every system has a human cost. Reporting finds it.

Current Project

The Machine Age

A long-form investigation into how automated systems are reshaping labour, power, and privacy.

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Vance finds the human pulse inside the systems stories everyone else skips.

— Editor, The Meridian

Work.

Four long-running projects on storytelling, print craft, and how we read now.

View all projects

About Me.

Black-and-white portrait of Elliot Vance standing in front of bookshelves

Elliot Vance writes and edits from New York, where he reports on labour, technology and reading culture. He makes narrative nonfiction and criticism, trained through an MFA in Creative Writing, and has been supported by a national arts fellowship and an independent press foundation.

As an editor he shapes long-form manuscripts for independent and established presses, and he is drawn to voices that rarely get a hearing and stories that unsettle the usual account.

Away from the desk he is usually in a Brooklyn archive, secondhand bookshop or cafe, following the next lead.

Elliot Vance

Published in
The Meridian
Award winner
National Press Fellow
Expertise
Literary Nonfiction
Education
MFA Creative Writing

In Touch.

Commissions, pitches and manuscripts are all welcome; a clear brief makes for the best work.

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